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Kaley Cuoco at 14 Became a 70s Icon: Controversial Brady Bunch Remake Sparks Outcry

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By Avery Sandridge

Kaley Cuoco at 14 Became a 70s Icon: Controversial Brady Bunch Remake Sparks Outcry

Photo of author

By Avery Sandridge

You won’t believe what a beloved 70s family show stirred up when someone decided to dramatize its backstage secrets.

The show everyone still hums about

The Brady Bunch left a lasting mark on TV: 117 episodes across five seasons, plus several spin-offs, chronicling how two households merged into one after their parents married. Its theme song is one of the era’s most recognizable sitcom jingles, and the series remains a cultural reference point decades later.

A 1970s-style living room television set evocative of The Brady Bunch era
The Brady Bunch’s iconic living room set defined 1970s family sitcom style.

A young actress long before her big break

Before she became widely known for The Big Bang Theory (and even appeared recently in a related spinoff), Kaley Cuoco took a small but notable turn tied to The Brady Bunch legacy. One of her earliest screen parts put her in the role of Maureen McCormick — the original Marcia Brady — in a made-for-TV dramatization of life behind the scenes of the show.

Turning a memoir into television drama

In May 2000 NBC broadcast Growing Up Brady, a telefilm adapted from Barry Williams’s (Greg Brady) autobiography. The movie presented backstage events through the perspective of one of the show’s teen stars. Adam Brody was cast as Williams, and Cuoco played McCormick. The production dug into romantic entanglements and off-camera tensions that Williams had described in his book.

How the network sold scandal — and why people recoiled

NBC leaned hard into the telefilm’s romantic elements to promote the broadcast. One promotional clip shown before the premiere featured Maureen — played by Cuoco — entering a pool in a suggestive way while Barry was in the water. That vignette struck many viewers as problematic: Cuoco was 14 at the time, and Brody 20. The implied sexualization of a minor drew raised eyebrows even then, and public commentary around the promotion was notable by its absence from the involved actors.

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A behind-the-scenes production monitor showing a promotional TV clip being reviewed
NBC leaned into suggestive promotional footage to market the telefilm.

Critics, fans and the price of titillation

Reviewers were not kind. Television critics warned that the movie diverged sharply from the tone and spirit of the original series; Variety’s Phil Gallo suggested it failed to reach the standard set by creator Sherwood Schwartz. Williams’s book had already been described by some as voyeuristic, and the telefilm’s focus on off-screen romances and drama delivered a spicier, less wholesome version of The Brady Bunch than longtime fans expected. Still, millions tuned in when NBC aired the telefilm, even if what they saw wasn’t the Brady they remembered.

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