Are you ready to dive into a world where dark humor meets the raw, unfiltered realities of a burnt-out generation? Victoria Martín’s novel “Se tiene que morir mucha gente” has been brilliantly adapted into a series by Movistar Plus, capturing the essence of millennial comedy that first made waves on the podcast “Estirando el chicle.” This isn’t just any drama about thirty-somethings in crisis—it’s a sharp, unapologetic portrayal of a generation drowning in pretense and accumulated frustrations.
The Uncomfortable Truths of Perfection
Imagine a series that doesn’t bother with neat moral lessons or feel-good moments. Instead, it embraces the uncomfortable truth that sometimes, we can all be selfish, miserable, and contradictory. This is the genius of “Se tiene que morir mucha gente,” where Anna Castillo shines as Bárbara, an alter ego of Victoria Martín. Bárbara, a scriptwriter in her thirties, teeters on the edge of emotional collapse, trapped between a frustrating job and a crumbling personal life. Her precarious balance is further disrupted by the arrival of Elena, played by Macarena García, a pregnant friend who appears to lead a perfect life in a comfortable suburban home. Alongside them, Laura Weissmahr completes the leading trio, providing a calm counterpoint in this whirlwind of chaos.
Laughing at the Absurdity
What sets this series apart is its relentless satire and refusal to preach. Martín’s humor transforms concepts like “social battery,” posturing, and the constant need to verbalize traumas into a distorted, comical mirror reflecting contemporary society. The series mocks everything from political correctness and miracle therapies to the protagonists themselves. It’s a blend of sarcasm, scatology, pop culture references, and cynicism—all backed by a deeply human perspective.
A Unique Narrative Device
One of the most original elements of the series is the constant presence of Bárbara’s “inner child,” portrayed by Sofía Otero. This malevolent conscience verbalizes the unspeakable thoughts of the protagonist, adding an extra layer of satire that turns everyday situations into bizarre and relatable moments. Initially jarring, this narrative device ultimately enriches the series, making it stand out in the landscape of Spanish fiction.
More Than Just Comedy
Beyond its comedic surface, the series serves as a precise snapshot of contemporary emotional exhaustion. It depicts precarious jobs, constant anxiety, strained friendships, failed relationships, and a pervasive sense of failure, all masked by irony. This isn’t a tale of healing or self-love. Instead, it deliberately avoids self-help mantras and sentimentalism, even at its most emotional moments, maintaining a dry and uncomfortable tone that sets it apart.
This groundbreaking series is available on Movistar Plus, offering a fresh, unique take on the comedy genre while providing a brutally accurate depiction of a generation’s struggles. Whether you’re drawn in by the impeccable cast, the innovative use of the “inner child,” or the sharp humor that cuts to the core, “Se tiene que morir mucha gente” is a must-watch that challenges the norms of traditional comedic storytelling.
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Avery Sandridge has an unmatched love for storytelling and the screen. From detailed analyses of your favorite shows to behind-the-scenes scoops, Avery offers a fresh and engaging take on everything TV series.