Two decades after NBC introduced The Office, aiming to capture the biting humor of Ricky Gervais and Stephen Merchant‘s acclaimed British show for a U.S. audience, the series found its stride and became a legend over its nine-season span. Premiering in 2005, it was pivotal in transitioning network sitcoms from laugh-tracked scenes to more serialized, character-driven narratives in realistic settings. The Office left a durable mark on pop culture with its quotable lines and memes, consistently pulling strong Nielsen ratings. Fast forward to today, and Peacock has just released the entire first season of a spin-off, The Paper, in one drop.

Already set for a second season, The Paper overcomes initial doubts about its necessity. Despite some early hiccups and the inevitable comparisons to its predecessor, the show radiates a distinct charm, bolstered by keen acting, clever writing, and tight editing. Creators Greg Daniels and Michael Koman (Nathan For You) offer a softer take on the familiar mockumentary style, avoiding a mere rehash of The Office‘s edgy humor. The Paper shifts focus to a crew of volunteers at a struggling newspaper in Ohio, tackling real issues like dwindling resources, misinformation, the impact of AI, and sensationalism. A hopeful new editor-in-chief arrives, promising to revamp the outdated operations, energizing the uninspired staff.

The Paper introduces Ned Sampson (Domhnall Gleeson), a charismatic leader whose demeanor is reminiscent of Ben Wyatt (Adam Scott) from Parks and Recreation rather than Michael Scott’s cringe-worthy antics. Gleeson, perfecting an American accent, delivers humor and warmth, supported by a talented cast, though not all characters are equally explored.

Ned, inspired by his hero Clark Kent (the journalist, not the superhero), is determined to restore the newspaper’s integrity. He faces the challenge of molding his eclectic team, which includes nods to The Office characters, like a sleepy counterpart to Stanley and a naive accountant reminiscent of Dwight. Oscar Nuñez reprises a dual role as the financially savvy yet culturally attuned reporter, while The White Lotus’ Sabrina Impacciatore plays a vibrant yet scheming deputy who could rival Dwight in eccentricity and mischief.

The core of The Paper‘s narrative is driven by Gleeson, Chelsea Frei, Ramona Young, and Melvin Gregg, who all excel in their roles. Frei’s character, the only seasoned journalist, finds a kindred spirit in Ned as they strive to prioritize quality journalism over quick content churns. Their developing relationship, paralleled with that of Jim and Pam, receives ample development. Meanwhile, Young and Gregg entertain as a lively pair chasing both news and each other.

Distinctly, the series delves into the harsh realities of the journalism industry more than The Office ever did. The Paper addresses challenges like limited budgets, the rise of unchecked social media influencers, and the general decline of traditional journalism. The Truth Teller, housed under the same roof as a toilet paper company, cleverly illustrates the industry’s struggles while balancing humor with meaningful discourse.

Though it doesn’t hit its stride right away, much like its forerunner, The Paper soon smooths its rough edges. By mid-season, the cast dynamic solidifies, and the series finds its rhythm, thanks to contributions from veteran Office directors Ken Kwapis and Jennifer Celotta. It successfully blends familiar mockumentary elements with fresh, timely content that surpasses expectations.

The Paper debuts September 4 on Peacock.